WORKING PRINCIPLES FOR MY PRACTICE

At the core of my work is a simple approach: detailed, collaborative, and rooted in a lifelong instinct to listen closely – to the material, to the process, and to the people I’m working with. Everything else flows from that.

1.  INSTRUMENTS FOR MUSIC

I treat every instrument first and foremost as a musical tool, and my work is guided by its sound, playability, and reliability.

2.  TRADITION AS A RESOURCE

This craft carries centuries of accumulated knowledge. I study that tradition carefully and respectfully, learning from those who came before while remaining willing to question practices that exclude, obscure, or don’t stand up to scrutiny.

3.  ATTENTION AND CARE

In a culture increasingly shaped by speed, convenience, and artificial intelligence, I choose work that depends on human attention, judgement, and touch. The materials we work with may have grown for centuries, and the instruments may outlive us. That deserves a certain care.

4.  COLLABORATION WITH MUSICIANS

An instrument exists to support expression, and every player develops a different physical and musical relationship with it. Listening to the player is as important as understanding the instrument.

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5.  WIDENING THE CIRCLE

I recognise that classical music and fine string instruments often sit within systems of privilege. Where I have room to act – through education, pricing structures, outreach, or mentorship – I will try to widen access rather than narrow it.

6.  TRANSPARENCY AND PLAIN DEALING

I am clear about what I recommend, why I recommend it, and what the work will involve. I am open about materials, labour, process, and pricing. Skill deserves fair compensation, and clients deserve to understand the work being carried out.

7.  LIFELONG LEARNING

This is a long craft, and I expect to remain a student of wood, sound, instruments, and music for as long as I work. As my skills and understanding evolve, I will revisit and refine these principles with intention and care.